Carlos David Langain

The conflict centers on a literal trial for resurrection in which we follow two recently deceased individuals, who must defend their morally ambiguous lives before a panel of two mythological gods to win a second chance at life. Its original take on topics of morality and the afterlife is its biggest selling point; however, the Chronokotzers also present a particularly interesting merchandising opportunity.

Eurydiheid has a wide spectrum of potential audiences, ranging from kids aged 12 and up to people in their 30s, featuring fun, comedic scenes while also treating more serious topics in a light-hearted way. The script is similar in pace and delivery to that of Oscar Wilde's The Importance of Being Earnest or, for something more recent, I would say it could be similar to the show The Good Place.

The inspiration for Eurydiheid came to me during the pandemic, when I went down a rabbit-hole of Greek mythology and ended up estranged that, in most of the media I have seen that draws from it, the gods are not portrayed as they actually are in these myths; especially Zeus, as he's always portrayed as a noble, righteous, and serene, warrior deity when he's rarely that. This character I had in mind for Zeus and various influences from other media I enjoy became the perfect catalyst to create the concept of this story that I then delved deeper into to hone its intricacies and details in a more theatrical way. As for why now, I believe because it's something the world has not yet seen; it's a simple tale made to entertain and make audiences genuinely smile and have something to think about on their way home. No more, no less...

I only have the finished script. Everything else I would be looking for.